This is my second visit to the land of my forefathers, I was first posted there in 1990 as a Major of the Indian Army on deputation to the UN. At that time Iran had just emerged from an eight year war with Iraq and the strict rigours of the revolution were in force. Twenty six years later I visited a very different Iran, beautiful, weary from years of sanctions yet keenly progressive. This photoblog is not a chronicle of my trip nor is it a travelogue. It is not a compendium of tourist sites and their photos, there millions on the net. Here I have tried to impart some flavour of what I saw and felt.
 |
| Leaving 'Bombay' With 'Madras' further south. The place names haven't changed in the map display. Many years of sanctions and isolation have left their mark on many aspects of Iran, the aircraft, hotels, cars, all require substantial modernisation. |
 |
| Urban sprawl Tehran is a large city, about 16 million people live in 700 sq km. The size of the sprawl is indicated by this picture from a cable car going up the Alborz Mountains that surround Tehran. This cable car, at 6.5 km, is one of the longest in the world and the views from the upper stations are breathtaking. |
 |
| A Parsi Zoroastrian Jashan at Mount Damavand High up in the Zagros Mountains near Tehran stands Mount Damavand. This mountain, Iran's highest at about 19000 feet, is deeply linked to Zoroastrian lore and every Parsi pilgrimage has a religious Jashan ceremony here. Due to an unexpected road diversion, our outward journey was increased to five hours instead of the usual two. Unexpectedly this diversion enabled us a treat of some of the most spectacular scenery I have seen by the road. |
 |
| Farohar above the door at Peer-e-Banu An ubiquitous symbol, the Farohar adorns religious places, hotels, government establishments, ancient and modern scripts. Considering that it has possibly been adapted from ancient Egyptian or Mesopotamian scripts and used by the ancient Achaemenids only, it has gained remarkable popularity. Many Parsi Zoroastrians in India too sport a Farohar sticker on the rear windscreen of their cars. |
 |
| Blue Art Most religious places in Iran have exquisite paintings adorning the walls as this particularly intricate example of the art in the Mosque in Esfahan shows. The base colour is almost always in different shades of blue. |
 |
| Signs of the Times - War Iran fought a long war with Iraq in the 80's, arguably a million people died in this prolonged conflict.There are signs of the Hero everywhere, some are likenesses of local martyrs and some are morale boosters as this one is. In all cases the artwork is meticulously executed with remarkably accurate likenesses. |
 |
| Signs of Present Times - Peace Gradually war Heros are giving way to modern industrial and vocational heros. Iranians put much store by the art on building walls and billboards. Most blank walls of buildings are adorned by such paintings. |
 |
| Total Concentration Meticulous craftsmanship is a matter of great pride. Handicrafts, no matter how small or cheap are almost always well made and presented. There is nothing crude about the cheapest work. In another show of pride, most work is invariably signed by the artisan. |
 |
| The Grand Bazar A vast market that deals in a large variety of goods. With a cavernous interior, it has a myriad lanes, each area specialising in a particular type of wares. The Grand Bazar here is typical of most such ancient bazars in the middle East and Turkey. |
 |
| Dry Fruits Iran is flush with dry fruits and the Grand Bazar is no exception. There is an entire area of the bazar that has only dry fruit sellers. Apart from the usual nuts; there are many very typical Iranian offerings, exotic berries and and aromatic spices. The locals love their fresh fruit juices and there are many stalls selling freshly pressed fruit and vegetable juices. I was refreshed by frothy and sweet carrot juice. |
 |
| Multi-Tasking at the Bazar This venerable gentleman is selling T-shirts, frocks, keychains (around his neck), batteries (in his hand), berries and spices. I was told that Iranians are too proud to beg and that everyone, no matter how poor, tries to earn a living. |
 |
| Carpet at the Niavaran Palace Notice the picture of Napoleon woven into the carpet, and that's possibly Victoria next to him. The Pahlavis, the last royal dynasty of Iran, built the Palace and it is abrim with opulent presents from other royal houses the world over. This vast and intricately woven carpet has royal likenesses from the ancient Persians, the Iranian rulers and most major European royal houses. |
 |
| Roses It was spring and everywhere there were lovely flowers. The local authorities take great pains to ensure colourful blooms in all public spaces. This delicately shaded rose was at the cable station. |
 |
| Pansies The riot of colour in the blooms were a delight to behold, like these pansies in a public garden. Every public space, every vacant plot, every road median, everywhere there are blooms and colour. |
 |
| Two Zoroastrian Ladies The two ladies are engrossed in the tale being narrated by the Indian Parsi priest inside the Peer-e-Banu Shrine. Iran has moved forward in leaps and bounds since the revolution and war. The lady on the right is dressed traditionally and is from the family of caretakers here; the lady on the left came from Yazd to help and her modern dressing shows. |
 |
| Faredoon Such a typical Parsi name, the old man from the Iranian Zoroastrian family charged with looking after the Peer-e-Banu Shrine. Every loved him as was evident by the fact that he was so much richer with the tips we all left him. |
 |
| Ornate Art Intricate designs are very popular, particularly in Esfahan, a lovely example would be this lift shaft in a hotel. This is the reverse view but so beautifully decorated, it is set amidst an equally ornate foyer. |
 |
| Warning to motorists!! At a police post on the highway was this smashed car set on a pedestal as a warning to motorists of the dangers of speeding. |
 |
| Abandoned Village At isolated desert locations we visited ancient fires in tiny rooms. I would like to believe that these were predominantly Zoroastrian villages, each with their holy fire. The fire had to be concealed at oppressive times in history hence they are hidden in tiny rooms. The villages are now mostly abandoned. A very remarkable aspect of the villages is that no matter how small or poor, they are immaculately clean . |
 |
| A Zoroastrian lady This lady typifies why many of the Zoroastrian villages are probably abandoned. The youngsters migrate and ladies like this one have property in India and Iran, she shuttles between the two countries. She has a daughter in living in Dadar, Mumbai. I met her in a village and she spoke fluent Gujarati and Persian. |
 |
| Yazd Atash Kadeh (Atash Behram) This is the highest form of place of Zoroastrian worship. There are eight Atash Behram in India and only one, this one, outside India. It is immaculately maintained, as are all Zoroastrian places of worship. I believe there is a rich Iranian Zoroastrian diaspora which remits funds for the upkeep of religious places. |
